Politico is coming to Australia. It saw the opportunity our industry missed.
International media brands keep finding hungry Australian audiences in their traffic data. The question is why local founders keep leaving that audience and revenue on the table.
This week, Politico announced it’s launching in Australia. The political media powerhouse, owned by German giant Axel Springer and known for the Playbook newsletters that Washington operators read before their morning coffee, will launch a Canberra edition when Parliament returns from winter recess.
It will be led by Ryan Heath, the Australian journalist who built the Brussels Playbook into the essential morning read for European political insiders, and who is returning home to build something similar in Canberra. Heath is talented, experienced in exactly this kind of launch, and will no doubt build a strong operation.
Australia needs more media diversity, not less. A country whose media landscape is dominated by the Murdoch empire and Nine Entertainment does not suffer from too much competition. That part is simple.
What’s more complicated, and more interesting, is what Politico’s arrival signals. Not about Politico, but about the gap it’s walking into, who created that gap and what it means for anyone thinking seriously about building a sustainable media business in Australia right now.
Politico has located an open space
Politico’s CEO Goli Sheikholeslami was candid about why Australia made sense in an interview with Semafor: “In other markets we have competitors. In Australia there are a couple people that do something similar to what we do. But from what we’ve been able to glean, no one is doing exactly what Politico is about.”
She’s right. There is political reporting in Australia. The Canberra Times covers the gallery, the Nine Publishing titles have strong political and policy coverage, Capital Brief has built an impressive daily newsletter for policy insiders. But no one has built the specific combination that defines Politico: the intelligence-product model, the deep sourcing inside parliamentary staff and the lobbying ecosystem, the format that treats Canberra’s political class the way the original Playbook treats Washington’s, as the audience, not just the subject.
That open space is not just editorial, it is also commercial. Politico Pro, the company’s intelligence subscription product, reportedly carries a 93% renewal rate in existing markets. Capital Brief, launched by Chris Janz and David Eisman in 2023, is building real subscription revenue. Joe Aston’s Rampart, launched in 2025, is a single journalist reportedly commanding direct-pay income and genuine influence, built entirely outside the institutional media system. These are not passion projects. They are businesses, built on the insight that a specific, underserved audience will pay well for something genuinely indispensable.
That audience exists in Australia, as many are not looking for more commodity news. They are looking for deep information — the kind of analytical, insider-driven content that treats them as sophisticated readers who already know the headlines and want further context. Politics, business, policy, technology, ideas. The format matters less than the depth.
Australian mainstream journalism has long been dominated by a particular set of conventions: the daily news cycle, the he-said-she-said format, the incremental story that adds a paragraph to yesterday's piece. This serves the news metabolism but rarely builds genuine understanding of how power actually works, who holds it, how it moves and what the decisions made in boardrooms, parliaments and global institutions mean for the country and its place in the world. The readers who've gone looking for something different and found Politico, Axios, The Information or Puck are not disloyal Australians who prefer foreign content. They are readers with a specific, sophisticated appetite that local media has left unmet, and they are among the most commercially valuable readers in the market.
A reader who will pay for a Politico Pro subscription, listens to a policy podcast on their morning commute or reads five different newsletters before 7am, is relatively affluent, professionally engaged, high in information consumption and genuinely willing to pay for quality. In a world where advertising revenue is structurally collapsing, that kind of direct-pay reader is not a nice-to-have. They are one of the only sustainable revenue foundations left in journalism. And they are here, in Australia, waiting.
The issue is not that Politico is coming. It is a well-resourced, serious organisation with a proven commercial model and a talented person leading the local launch. The issue is that the gap they’re filling, both editorially and commercially, was visible for years, and the response from within Australian media was largely silence.
This is not a new pattern but it feels different
Politico’s entry feels strangely familiar. Their data showed a large local audience already reading the publication. The logic followed naturally: if the audience is there, local content will deepen the relationship and unlock local revenue. It’s the standard playbook for international media entering Australia, and I know it well. In 2014, I brought Mashable to Australia and later ran Business Insider and the Gizmodo stable of brands here.
We were not alone. BuzzFeed built out a full Australian editorial operation with a large staff, solid budgets and genuine editorial ambition. Vice ran a local operation of around 50 people across Sydney and Melbourne before progressively cutting staff from 2019 onwards, eventually retreating from the market entirely. The Guardian Australia launched in 2013 and survived, backed by a Scott Trust willing to fund a long-term investment. The New York Times has been quietly building Australian subscribers since 2017. The BBC has expanded local content production here. But for most of the digital-native brands, within three to five years the Australian operations were quietly wound back, restructured or shut down entirely. The exits were rarely dramatic, just a gradual reduction in local headcount until the Australian bylines disappeared.
What killed most of these ventures was not a lack of audience. It was a failure to build a sustainable business underneath the editorial ambition. Traffic without a commercial model is not a media business.
It’s important to recognise the environment has shifted significantly since the last wave arrived.
The past decade was brutal for Australian media, but survivable. What’s coming next is a different kind of pain. Generative AI is changing how people access information entirely. The habits that built loyal publication readerships over decades are being quietly dismantled, and search traffic that once flowed reliably to editorial sites is being absorbed by interfaces that don’t send readers anywhere. At the same time, the creator economy has proven that individual journalists and commentators with direct audience relationships can out-compete institutional brands for high-value readers at a fraction of the cost.
The broader picture is sobering: research from the Reuters Institute found that 87% of the top political creators Australians are consuming are foreign, mostly American and British. The homegrown creator ecosystem for serious political content is thin, and only a few examples have been built into a durable commercial business.
The format opportunity is genuinely wide open. A newsletter, a podcast, a TikTok series, an AI-native political briefing. Audiences are fragmenting across every platform and the barriers to reaching them have never been lower. Subscription. Membership. Events. Products. But format alone is not a business. The ventures that will last are those built on direct audience relationships, owned distribution and a revenue model that doesn’t depend on platform algorithms or advertising cycles. The model has to come first, not as an afterthought once the audience is built.
The structural problem is also the opportunity
Australian media has been defined, for most of the past decade, by retrenchment rather than reinvention. The major players (Nine, News Corp, Seven West) have responded to structural disruption primarily through cost-cutting and consolidation. Coverage has narrowed. Mastheads have merged. The institutional response to crisis has been defence, not attack. The smaller independent players have shown more genuine innovation but remain chronically undercapitalised. The venture capital that funded a generation of digital media businesses in the US and UK (The Athletic, Axios, The Information, Puck and Politico itself in its early days) has largely bypassed Australia. And local media entrepreneurs have not compensated for that gap with sufficient energy of their own.
The result is an industry with visible, documented gaps. Blind spots that are legible in someone else’s traffic data on another continent, that local founders have not moved to fill. And so international brands fill them instead, extract whatever value they can find, and retreat when the unit economics prove harder than expected. Then the cycle repeats.
But the same conditions that created that space also make them genuinely addressable by locally-founded businesses. Lower cost base. Deeper source relationships. Better product-market intuition. A long-term stake in the outcome that a subsidiary of a German media conglomerate simply cannot replicate. The market has consistently shown that it rewards local knowledge and local commitment in ways that are difficult to sustain from the outside. That is a structural advantage, if someone chooses to use it.
The white space Politico is moving to fill didn’t appear from nowhere. It accumulated quietly over years of institutional timidity, underfunded independents and a media investment culture that has never seriously backed the kind of entrepreneurial risk-taking that built the publications Australians are now going offshore to read. That is a problem. It is also, for the right founder with the right product and the right business model, an open door.
The audience is here if you build for it
Politico’s arrival is not a closing door. It is evidence that the door was open, has been open, and that whoever walks through it with the right product and a sustainable commercial model will find an audience ready and waiting.
The next generation of sustainable Australian media businesses will be built on owned audience relationships, genuine editorial differentiation and revenue models that don’t depend on platform traffic or programmatic advertising. The format is less important than the model underneath it. A Substack and a TikTok series can both be the front door to a sustainable business, if the commercial thinking is there from day one.
Politico arriving should not prompt hand-wringing. It should prompt a sharp, honest question: why did we see this opportunity and not fill it? And then, more importantly, it should prompt action.
The audience is here. The commercial opportunity is documented. The gap isn’t theoretical. It’s sitting in Politico’s analytics dashboard, and has been for years.
Build the thing. Build it with editorial ambition and commercial seriousness in equal measure. Build it for an audience that is desperate for something they’re not currently getting, and that will pay for it when someone finally delivers.
Do it before the next international brand reads the data and gets here first.
Jenni Ryall runs Other Labs, a media and tech advisory lab. It’s focused on bringing together the funders, creators and builders to figure out what’s next.

Lovely to read you here Jenni ☺️ One thing besides CB and the usual suspects I am curious about in that context is the Private Media publications, they would be aware of (and fine with?) the gap here. Mandarin is already knee deep focused on public servants, how does that interact with the more lobby/insider politics-aligned coverage of Politico, if at all? And we’ve got commentary/analysis/ideas with Crikey which no doubt will cover Politico’s inroads with Daanyal.
Hey Jen! 👋
Have not seen your name on an article in ages! Hope you are going well. Just subbed to keep an eye on what else you cover. New media, I assume?
Interesting insight here. Totally agree re the need for media diversity. But unsure if the solo writer trend in the US is hitting Aus in a significant way yet. Coming up to my third year on here, and growth for those without a name from Aus can be pretty slow.
All that said, the major players have created a market for media subscriptions here. And Australians by in large can afford multiple of them. So I could see a world where other global publications that rely on subs as a primary revenue channel give this market a go.